It can happen any time: during the outlining, the drafting, the rewriting or the editing process. You feel blocked. No worries, there are a number of ways to get you going again. One of them is getting to know your characters. Here are a few ideas to get you started.
I used to love creating character sheets, then abandoned it because “hey, I know my characters, they’re mine”. But I’m starting to do it again, except I don’t write the same things I used to. For example, I used to skip the part about inner conflict. “Why, it’s all over the pages!” I’d think. Except summarizing it is an excellent way to see whether it “holds up”. A story is a bit like a labyrinth: the characters and the reader don’t know its exact configuration, but the writer must know it to make sure it is sound. It wouldn’t do to have holes or too many ways leading to the center (or climax) or none at all.
There are a plethora of templates online, from basic to elaborate. I find the basic ones useful while I’m outlining, but while editing I use one that’s much more elaborate. For instance, in the past couple of weeks I wrote several pages of background story, inner conflict, motivation, and ghosts (aka those things that haunt people). Doing this helped me realize that I didn’t understand my main character quite as well as I used to think.
You get to mimic your own favourite interviewer and ask your characters all kinds of questions. I don’t actually watch interviews, so I use Marcel Proust’s questionnaire to get me started. My characters don’t always tell me the truth… but I know when they’re lying and what they’re lying about tells me a bit more about what they’re ashamed of or how they’d like people to see them. Then I go deep, CIA agent-like, and discover the truth. This might sound weird, but I think reading Get the Truth made me a better writer.
Another way of “interviewing” your characters would be to make them complete a personality test. I have already stated my love for the Myers-Briggs Type Indicator (or MBTI), but I know a lot of people like The Enneagram too. If you’re more esoterically oriented, name meanings and astrology can help, too… even tarot cards or runes, if you’re into that. You can even sort them in one of the houses at Hogwarts!
I’m not sure whether a lot of writers do this, but sometimes I like to momentarily take a character out of their normal context and see how they react. Write a scene or two of them meeting people they’ll never actually meet in the story, or make them do crazy things that they’d never actually do. Sometimes, those can end up in the actual story as a “fantasy” of theirs. Most of the time it only serves as fuel, but it’s an exercise that I find so fun and entertaining it also provides powerful motivation.
Finally, we tend to want to focus on main characters, but do not forget to do it for your secondary characters, too. They have their own agenda and can sometimes impact the main plot in unexpected ways (as they should). In fact, in my current project, it’s a secondary character that helped me get unstuck. I also like to imagine what a story centered on their lives would be like… though that’s dangerous. It can make you want to make them more important in your main character’s story than they should be, or give you more story ideas than you could possibly write in a lifetime. But it’s a good problem to have, I guess.
I hope you enjoyed this post! Feel free to share your own techniques to get to know your characters.